2/3 cup white or golden quinoa
Saturday, June 23, 2012
Quinoa Chocolate Cake
Friends are often asking me for this recipe so I thought it would be easier just to put it up on my blog. It's from the book "Quinoa" by Patricia Green and Carolyn Hemming (Whitecap) which I highly recommend for people who are gluten-intolerant.
Thursday, June 14, 2012
The 22 Rules of Storytelling
from Pixar Storyboard Artist Emma Coats :
#1: You admire a character for trying more than for their successes.
#2: You gotta keep in mind what's interesting to you as an audience, not what's fun to do as a writer. They can be v. different.
#3: Trying for theme is important, but you won't see what the story is actually about til you're at the end of it. Now rewrite.
#4: Once upon a time there was ___. Every day, ___. One day ___. Because of that, ___. Because of that, ___. Until finally ___.
#5: Simplify. Focus. Combine characters. Hop over detours. You'll feel like you're losing valuable stuff but it sets you free.
#6: What is your character good at, comfortable with? Throw the polar opposite at them. Challenge them. How do they deal?
#7: Come up with your ending before you figure out your middle. Seriously. Endings are hard, get yours working up front.
#8: Finish your story, let go even if it's not perfect. In an ideal world you have both, but move on. Do better next time.
#9: When you're stuck, make a list of what WOULDN'T happen next. Lots of times the material to get you unstuck will show up.
#10: Pull apart the stories you like. What you like in them is a part of you; you've got to recognize it before you can use it.
#11: Putting it on paper lets you start fixing it. If it stays in your head, a perfect idea, you'll never share it with anyone.
#12: Discount the 1st thing that comes to mind. And the 2nd, 3rd, 4th, 5th – get the obvious out of the way. Surprise yourself.
#13: Give your characters opinions. Passive/malleable might seem likable to you as you write, but it's poison to the audience.
#14: Why must you tell THIS story? What's the belief burning within you that your story feeds off of? That's the heart of it.
#15: If you were your character, in this situation, how would you feel? Honesty lends credibility to unbelievable situations.
#16: What are the stakes? Give us reason to root for the character. What happens if they don't succeed? Stack the odds against.
#17: No work is ever wasted. If it's not working, let go and move on - it'll come back around to be useful later.
#18: You have to know yourself: the difference between doing your best & fussing. Story is testing, not refining.
#19: Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.
#20: Exercise: take the building blocks of a movie you dislike. How d'you rearrange them into what you DO like?
#21: You gotta identify with your situation/characters, can't just write ‘cool'. What would make YOU act that way?
#22: What's the essence of your story? Most economical telling of it? If you know that, you can build out from there.
Thursday, June 7, 2012
The Heart is a Muse
Nine things My Last Book Taught Me
I wrote this article last April for Hunger Mountain, the Vermont College of Fine Arts Journal of the Arts.
"I see writers as caretakers: We hold complete worlds (real or imagined) in our palms. What fear! What joy! What mystery! And what responsibility. By writing Karma I learned something that my memoir, Lost, could not teach me. Lost pulled me into the muscle of my body where memories had to be re-experienced and grief needed to be faced. Even though loss is a universal experience, my story was personal. But writing Karma took me directly into the heart—and not just my heart, but the heart of a people, a culture, a nation, and the larger heart of humanity. Acts of murder targeted at religious or cultural groups are acts of violence against every human being. When writers choose to speak about injustice, whether it is genocide or bullying, they lift the world from their hands and heave it onto their shoulders."
To read the entire essay:
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